cleopatragirlie:

𝐌𝐚𝐫𝐢𝐚𝐧𝐧𝐞 𝐅𝐚𝐢𝐭𝐡𝐟𝐮𝐥𝐥 𝐚𝐬 𝐎𝐩𝐡𝐞𝐥𝐢𝐚 𝐢𝐧 𝐓𝐨𝐧𝐲 𝐑𝐢𝐜𝐡𝐚𝐫𝐝𝐬𝐨𝐧'𝐬 ‘𝐇𝐚𝐦𝐥𝐞𝐭’ 𝐚𝐭 𝐓𝐡𝐞 𝐑𝐨𝐮𝐧𝐝𝐡𝐨𝐮𝐬𝐞 𝐢𝐧 𝐋𝐨𝐧𝐝𝐨𝐧 (𝟏𝟗𝟔𝟗)

girlwhodoeskratom:

Bénédicte Loyen @ Dolce & Gabbana Fall/Winter, 1993 Ready-to-Wear

psikonauti:

Cornelis Kick (Dutch,1631-1681)

Still Life with a Lemon and pink Roses

Oil on canvas

indecisivegloom:

cosmonautroger:

Kyle MacLachlan, Isabella Rosselini, Blue Velvet, David Lynch, 1986

embraceofday:

bro,,, to be seen as poetry???? to have someone look at you and see art?????? bro.

gatabella:

Hedy Lamarr, c.1939

honeymoonswan:

gatabella:

“No, this is not an exclusive perfume shop—it is Connie Bennett’s dressing room!
French women, for generations, have been skilled in the use of perfume. Constance Bennett, who has spent a great deal of time in Paris, in addition to making use of her own innate good taste, learned at first hand how to use perfume in the most skillful and effective way.
The picture of her dressing table above shows rows on rows of captivating perfumes and other articles de toilette. As many fragrances as there are flowers in the world, as many fragrances as there are moods and moments. Miss Bennett loves her perfumes. She says that some of them actually inspire her. She even chooses perfumes to suit the roles she plays in pictures, to help herself really feel the person she is portraying.”

-Screenland, Dec. 1933

afloweroutofstone:

Lucille Clifton, “Love Rejected,” in Dudley Randall’s “The Black Poets” (1971)